China Clay Teapots

Can You Make Tea In A Ceramic Teapot

Issuing time:2019-12-13 16:34Author:Zisha Clay Teapot

Hui Mengchen's craftsmanship has been passed down. Hui Xiangyun's grandfather called Hui Baimao, who made Mrs. Potts Sculpted Ceramic Teapot the pot. The old grandfather called Hui Wenmao, who also made the pot. It was already the 15th generation when he passed it to him. From an early age, Hui Xiangyun watched his father's potmaking process. However, Hui Xiangyun does not Vintage Pink Ceramic Teapot completely copy the experience of his predecessors. In the practice of making pots for many years, Hui Xiangyun added his own understanding of the meaning of the Zisha teapot, and concluded that: "Zisha contains five elements, the pot is small and big." Hui Xiangyun made the purple sand pot, the purple sand pot and the heaven and Pink Ceramic Teapots earth to form the natural five elements, the combination of gold, wood, water, fire and soil is the most perfect utensil. The purple sand is the soil, and the gold is among them. It is moistened by water and fired by fire. Secretly, the purple sand pot designed by Hui Xiangyun contains natural philosophy. The bottom of the purple sand pot designed by Hui Xiangyun has his own seal. The experience of the person determines the Purple Ceramic Teapots production of the pot. The thickness of a person's life experience can be substituted into the purple sand pot. The times are different, if you do n’t experience enough, it ’s easy to miss contemporary lifestyles and aesthetic preferences

Hui Xiangyun's teapot works seem to have life. After learning how to think, every time Hui Xiangyun Repair Cracked Ceramic Teapot makes a pot, he doesn't do what he wants, but he will think for a long time. Therefore, the pots he made are often recognized by collectors and praised as folk masters of purple sand. The Contemporary Teapot Red Ceramic process of Hui Xiangyun making the pot, source Hui Xiangyun now makes the pot, more from the old ancestor Hui Mengchen

Hui Xiangyun is currently an executive director of the China Zisha Association, a senior Zisha pot art Red Ceramic Teapots designer, and a member of the Zisha Pot Appreciation Professional Committee of the China Collectors Association. In addition to making pots, he is also a wellknown collector in the industry. Since the 1990s, White Ceramic Teapot Set he has been vigorously collecting highquality mineral sources. The most commonly used method is to listen to the audio frequency of the purple sand pot. We can tap the pot lightly with the lid. Do not knock with the cover or the wall Cheap Ceramic Teapot Set unless you have decided to buy it. Use your ears to judge its kiln. Whether the temperature is sufficient: if the sound is low and depressed, it means that the kiln is insufficient; if the Asian Teapot Set Ceramic sound is close to metal, it means that the temperature is too high, close to porcelain; if the sound is crisp and has a moderate echo, it can be roughly judged that its temperature is standard of. Of course, such judgment requires the Sainsburys Home Ceramic Teapot accumulation of experience, but it is not difficult. It is worth mentioning that judging whether the kiln is sufficient by listening method cannot be generalized, because the audio of the purple clay pot Ceramic Tea Kettle On Stove will vary with the age and material. For example, the audio of the clay pot is higher than the purple clay pot, and At the beginning of the Republic of China, the audio frequency of purple sand and white glaze was generally lower. Spit

It should be particularly noted that, because the average potplayer especially pursues good audio, some pot makers will add some sand such as glass sand or quartz to the purple sand to increase Ceramic Tea Kettle Stove Top the density of pores and thus improve the audio. If from the perspective of hearing, this can really make the purple sand pot sound crisp and pleasant, but in terms of the purity of the purple sand clay, it may be worth the loss. How To Clean Ceramic Teapot Spout Because if the proportion of glass sand is higher, the pores of the tire body become smaller and denser, and the surface of the device appears glass crystallized. Although it is bright before it is raised, it can only be so bright. Lost Ceramic Stovetop Tea Kettle the glorious inner content of pure purple sand, the beautiful beauty of raising pots. There are still some ways to judge whether the kiln is burnt or not: 1. Check the face method: Fill the body with water to see if the appearance of Small Ceramic Teapot the pot body will have a moist feeling, or even change color or seepage. If this occurs, it means that the firing temperature is seriously insufficient, but the average contemporary purple sand pot will not be so exaggerated. Second, the color observation method: experienced veterans can judge the Ceramic Slab Teapots firing quality from the color of the surface of the pottery alone, because the critical temperature for the best firing of ceramics is very narrow, often showing different tire colors by a difference of three or five degrees. .

Usage: People say: Don't be a giant of speech, a dwarf of action. That's right, you don't need to buy a pot, just like buying clothes Ceramic Kettle Target without wearing, you can never be sure if it is right for you and speed dating. If the pot is used for a long time, black spots and blisters will come out. This is the socalled spitting Cheap Ceramic Teapots phenomenon, which means that the sintering temperature of the pot is insufficient. Generally speaking, due to the greatly improved kiln equipment and the particular attention to the sintering temperature, contemporary purple sand pots rarely need to be returned to the kiln. The return kiln of the purple sand pot is usually only found in the ancient pot and the old pot. This is because the Where Can I Buy Ceramic Teapots purple sand pot was fired in the long kiln at that time. Kiln temperature of a work. The old pot that needs to be returned to the kiln is roughly the following four cases. The first is because it will spit black. It is usually found in lightcolored teapots such as sloppy or white mud. The second is to obtain higher Where To Buy Cheap Ceramic Teapot audio and more saturated green colors, in order to increase the value of the purple sand pot, whether it is appreciation value or commercial value. The third is that after the engraving of the Zisha pot, the merchants of the Xiao Shao engraved the painting, painting and calligraphy, and then Where To Buy Ceramic Teapots returned to the kiln to form a crystalline phase on the cutting surface. However, because this kind of project is large and easy to expose, it is not common

Practical law: People say: Don't be a giant of speech, a dwarf of action. That's right, you don'Tall Ceramic Teapots t need to buy a pot, just like buying clothes without wearing, you can never be sure if it is right for you and speed dating. If the pot is used for a long time, black spots and blisters will come out. This is the socalled spitting phenomenon, which means that the sintering temperature of the pot is insufficient. Generally Unique Ceramic Teapots speaking, due to the greatly improved kiln equipment and the particular attention to the sintering temperature, contemporary purple sand pots rarely need to be returned to the kiln. The return kiln of the purple sand pot is usually only found in the ancient pot and the old pot. This is because the purple sand pot was fired in the Vintage Brown Ceramic Teapot long kiln at that time. Kiln temperature of a work. The old pot that needs to be returned to the kiln is roughly the following four cases. The first is because it will spit black. It is usually found in lightcolored teapots such as sloppy or white mud. The second is to obtain Vintage Japanese Teapot Ceramic higher audio and more saturated green colors, in order to increase the value of the purple sand pot, whether it is appreciation value or commercial value. The third is that after the engraving of the Zisha pot, the merchants of the Xiao Shao engraved the painting, painting and calligraphy, and then returned to the kiln to form a crystalline phase on the cutting surface. However, because this kind of project is large and easy to expose, it is not common.

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